We took our tour in English with a tour guide lady who was actually dutch. I really liked her and she made the tour really fun and gave us some cool facts that I would not have known from just walking around the building by myself. She also pointed out some hidden elements that I wouldn’t have seen on my own.
We first got there and entered into a big room with a really
cool looking and ornate ceiling. It was a little dark but very nice. Our tour
guide told us that we had entered through the doors of the entrance reserved
for the King of France and that we were now by the entrance where the rich
nobles entered. She told us that when people got to the opera house they didn’t
look at each other until they had formally entered a few rooms ahead. This was
in order to make sure you had time to check yourself and be sure you looked
perfect before being seen by everyone. The idea was that if you didn’t look at
anyone and they didn’t look at you, that no one would see each other before
they all looked perfect. She told us that this was the thirteenth opera house
that was built and that we couldn’t visit any of the other ones because they
had all burned down because they were made of wood. They would typically take 5
years to make and then because they were made of wood and used candles for
lighting up the rooms at night, they would burn down within 1-2 years. That
made me laugh but it totally made sense.
It was actually a competition to determine who would be the architect
for this Paris Opera house and over 200 people submitted designs and models for
Napoleon the third. It was Napoleons wife who got to choose our guide told us and
when she saw the design by Charles Garnier she thought it was the most hideous
building ever because he didn’t use a known style. So she made him come see her
and she was like, “what the heck is this syle?” And he was like, “oh it’s a new
style called Napoleon Trois” So then she had to pick it because it was named
after her husband.
It was really funny though because the architect thought
that he was going to be forgotten so he actually hid a bunch of his own
elements in the architecture of the building. For example on one of the
ceilings he has his name spelled out and in the Grand Foyer, there are 8 busts
of his head as lamps which when people saw them criticized him but he told them
that they were just the busts of Apollo.
He told everyone it was a compliment that he looked like the busts of Apollo.
The entire theater actually has the theme of Apollo and a Lyre throughout the
building.
He wasn’t far off though in thinking that he would be
forgotten because there was a transfer of power while the Opera house was being
built and all work on the building came to a halt during the Franco-Prussian
War due to the siege of Paris. The new government of the Third Republic maintained
an intense dislike of all things associated with the Second Empire, and many of
them wanted to replace Garnier as the architect for the building. Economies
were demanded, and Garnier was forced to suppress the completion of sections of
the building. But then because the other theater in Paris was destroyed by a
fire overnight there was a resurgence of support to finish the building. The
theatre was formally inaugurated on 5 January 1875 with a lavish gala
performance, which Garnier wasn’t invited to at first. Then upon hearing this
the public was outraged and support for the political leader Adolphe Thiers who
was in charge fell so in order to gain it back he sent a letter of invitation
to join provided that Garnier could pay for his seat which they made sure was
ridiculously expensive. So Garnier didn’t actually get to go to his own designs
debut. I thought that was pretty sad. He did go later once things calmed down
but he wasn’t able to go and see everyone’s reactions to it for the first time.
While we were there a principal performer for the current
production was there so when we went in to see the inside of the Opera theater
she was practicing ballet onstage. Now this building is used mostly for ballet
and there is another building in Paris where Opera and Plays are done. Our
guide told us that there is no seat number 13 in the theater because once a
lamp fell on the woman sitting in that seat and she died. Over time though the
story has changed to a man and he still haunts the theater as the Phantom of
the Opera. Yep! This is the real Opera house of the Phantom! Our guide also
told us that it is true that there is a lake below the Opera house and that it
is still accessible but that you have to have lots of clearance and such. But
that the water was kind of a hassle during the construction of the building but
they wanted to have it close in case of fires.
It was by far the most beautiful building that I have ever
been in and it was really cool to see in person. I was glad that my friend and
I on a whim decided to go there because it will probably stay one of my
favorite places in Paris because of my love for theatre.
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